Showing posts with label Anime. Show all posts
Showing posts with label Anime. Show all posts

Tuesday, 16 August 2011

App News - 'Fullmetal Alchemist Gallery'

To continue with the recent posts I've been making on Anime based apps available this week I turn attention to a very popular series of which the second incarnation is being released by Manga Entertainment UK, Fullmetal Alchemist.

This app released in November 2010 by Square Enix (known for making the Final Fantasy games amongst many others) is one that focuses on how you can make your iPhone into a Fullmetal Alchemist fans dream.

Packed with promotional pictures and more you can set wallpapers and (based on the images available) you can even set icons on your devices home page.

Here is the official description:
Fullmetal Alchemist, a manga by Hiromu Arakawa, has become a worldwide success with over 45 million volumes sold and two separate anime adaptations produced. This wallpaper app features design sheets, promotional visuals, and other rare illustrations from the series. Immerse your iPhone in the world of Fullmetal Alchemist!

Price: £1.49
Location: HERE


Tuesday, 9 August 2011

Music: new single by FLOW, 'HEY!!!'

One of our favourite Japanese bands FLOW recently unveiled the video for their (ridiculously catchy and infectious) song 'HEY!!!'.
Watch it below and prepare to rock out!



Despite the fact this song isn't released until August 31st in Japan, the band have already performed it live and it's been featured as the 3rd opening song to the anime 'Beelzebub'. Here is the opening sequence -

[NOTE - May contain spoilers]


Crunchyroll are currently streaming Beelzebub. You head over to their site and watch it HERE.

Beez warehouse burned down during London riots

As I'm sure everyone reading this is aware there has been rioting and looting in the streets of London recently. The situation has now affected Beez Entertainment, one of the UK's Anime distributors in a big way.

Our friends over at UK Anime noted that Beez, via Twitter, made it known the warehouse containing their stock was burned to the ground during the rioting in London last night.

"We'd like to apologize to fans just now - there will be a slowdown in stock dispatch due to our warehouse burning down in the riots. The important thing is that at least from reports no workers were hurt. We're working as quickly as possible to find solutions but it will take a little bit of time to fix, thanks for your patience on this."

An short update followed:
"Thanks for the well wishes guys - right now all we know is the place was torched. We'll update as soon as we have it. Best case: There's stock left and things can be brought on track quickly. Worst case will take longer. Also worth mentioning is it's not our staff - but was at Sony DADC's warehouse. Their staff are reported to be OK though."

Obviously this is terrible news. Our thoughts go out to everyone at Beez and those affected by the London riots.

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Programming note -
We're set to record our podcast later today (Tuesday 9th). It will be made available tomorrow morning. We'll be discussing this news along with other topics. We'll also bring you a preview of the big Ayacon convention in a few weeks time. Our good friend Andy Hanley of UK-Anime will be joining us on the podcast to add his insight too!

If you have any thoughts, comments or questions you'd like conveyed on the podcast, please email us at AnimeChronicleUK@gmail.com by no later than 7pm UK time tonight.

Tuesday, 5 April 2011

New UK focused 'Anime On Demand' streaming service comes to the UK!

In the world of streaming anime, there are many options. The likes of Crunchyroll, a site with a service that provides quality Anime to those of here in the UK and around the world. But, there is one disadvantage with the service. Amongst all of the title in the back catalogue of Crunchyroll and the Funimation YouTube channel there is the issue of region locking. An issue that those of us, particularly here in the UK have felt the brunt of for quite some time. Well that could be about to change with the arrival 'Anime On Demand'. A brand new video streaming portal dedicated for the UK audience.

The service is due to begin in April and has been made possible thanks to Kaze and Anime News Network. Kaze, known more for their work in the Anime industry in France are now expanding their presence to the UK to help provide a service that could finally be exactly what UK fans of streaming Anime have been wanting for a very long time.
Anime News Network is one of the world leading websites in Anime News. Covering news from around the globe and have also dipped their toes into the streaming Anime world too.

The service is due to begin this month, in time for the Spring simulcast season. There are currently two pricing options available for the launch of service. An annual pass at the cost of £34.99 and a season pass at the cost of £9.99 (that runs from April till June and will also include an extra month so you can sample the next season of simulcasts as well). The launch subscriptions are a great chance to jump on the bandwagon of potentially the next big step for the UK anime industry!

For more information on Anime On Demand, visit their website at http://www.anime-on-demand.com/ or, read the press release below for all the information!

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PARIS (March 7th, 2011) - Kazé SAS and Anime News Network are pleased to announce "Anime on Demand", a new Video on Demand (VoD) platform for the UK dedicated to bringing you the hottest anime fresh from Japan in association with some of the UK's leading anime distributors.

Ever wanted a service where you didn't click on a file and find you were geo-filtered out? Ever felt frustrated with monthly-subscriptions and want to try a different way of doing things? How about one where you can interact face-to-face at events across the UK with the staff behind the project? All of these questions and more are what helped shape our decision to launch this platform in consensus with the whole UK industry.

Launching in April in time for the Spring simulcast season, we'll be bringing you some of the hottest titles in one convenient spot for the UK - more lineup details from Monday.

Instead of a monthly subscription price as well - alongside at least one free simulcast per season, we'll be trialling a completely new and awesome pricing system so you don't have to pay for the same content repeatedly!

Special first season pricing will be as follows:

SPECIAL LIMITED OFFER: Spring Season - early adopter's pass (April-July, including an extra month to sample the new season's anime): £9.99

Annual pass (Spring, Summer, Autumn and Winter seasons): £34.99

There'll be some extra special bonuses for Annual pass buyers to be announced along with our line-up later in March.

Expect to see us travelling the convention scene in 2011 as well - starting with Kitacon at the beginning of April! If you have a question, request or something *you* would like to see then come along and see us there.

You can also sign up at Kitacon for £10 and get a free gift with registration! All you will be asked to enter to our sign up computer at the event will be your email address, a user name and a password plus bring the season pass fee!

Please visit
www.anime-on-demand.com to sign up – with subscriptions opening from the evening of the 4th of April, also check us out on either Twitter or Facebook at the links below.


LINKS:
Website:
www.anime-on-demand.com
Twitter:
www.twitter.com/animeondemand
Facebook: Anime on Demand

ABOUT KAZE SAS:
Kazé is the leading distributor for Japanese anime in the France and beyond and has gone from strength to strength since combining with the Viz Media Group. With a diverse selection of licenses ranging from TV series like Bleach, Death Note and Professor Layton and the Eternal Diva across a wide variety of products including DVDs, CDs and merchandise. Watch out in 2011 for new and innovative ways to watch animé from Kazé and a host of other partners in the UK!

ABOUT ANIME NEWS NETWORK:
Anime News Network is the number 1 website worldwide for news and information about Japanese anime and manga. Anime News Network was launched in 1998 and now serves millions of readers from around the world every month. The company is also active in market research and has been streaming anime online since 2008. Anime News Network’s mission is to bring the anime industry and its consumers together with the latest and best information, editorial and anime content. For more, visit http://www.AnimeNewsNetwork.com

Saturday, 23 October 2010

Interview with Jerome Mazandarani of Manga UK [transcript]

On Friday 22nd October, we had the opportunity to catchup with Jerome Mazandarani from Manga Entertainment UK following our interview prior to the May MCM London Expo.

To set the scene somewhat, the last time we spoke with Jerome was shortly before the May London Expo. Since then Manga UK has continued to provide quality Anime and now Live action films to the masses. We're now one week away from the October MCM Expo with you having revealed some new acquisitions which have got people excited and by the looks of things, there's more to come!

Here the complete transcript of what was said -

AC - To begin with, are you happy with how Manga UK has progressed in the last 5 months?

JM - Yes, I am very happy with the shape of the business this year. I was a bit disappointed with how The Sky Crawlers performed compared to Ghost In The Shell Innocence, especially because the theatrical screenings did so well for us. Oh well! I am very happoy with how well Naruto Shippuden has performed. The sales are as good as when we launch Naruto back in August 2006.

AC - As I mentioned, you've revealed some forthcoming titles for 2011. These being 'High School For The Dead', 'Cashern Sins', and 'TO'. Can you enlighten us as to how and why these titles became targets for Manga UK?

JM - We will be licensing these 3 programs direct from Showgate who are an excellent License partner of Manga’s for the UK. The contracts are currently being finalised and we will start production early in the new year.

AC - Are you happy with the reaction to the announcements?

JM - Very happy, but I did not expect anything other than a positive reaction from the UK fan community as these are very eagerly awaited franchises from Japan.

AC - In the build up to your announcements, you made it clear that they wouldn't be One Piece and/or Dragon Ball. Can you give us any indication as what it is that's preventing Manga (and perhaps, UK Anime distributors in general) from being able to bring either franchise to the UK in any capacity?

JM - While we have not yet done any business directly with Toei Animation Europe for the UK, we maintain an open and constructive dialogue with the company and I like the licensing team there very much. What fans have to understand with many large Japanese licensing companies like Toei is that there are many levels of bureaucracy that any proposal has to go through before we can even discuss terms and aim for an agreement. In the case of our UK business it means that I have spent a lot of time guiding Toei through the ins and outs of the UK anime video business. Educating them, if you will on our peculiar retail landscape. Basically, there are no real objections from any Japanese Licensors to releasing their programs here, if the offer from the licensee is right for them. Sometimes, it’s an exercise in managing people’s expectations.


AC - Following on from our last interview, you gave us your thoughts on the Blu-Ray Anime market including the fact that certain Anime titles on Blu-Ray outsell the DVDs (Evagellion 1.11 being a prime example). Is Blu-Ray a market that Manga UK intends to have more active involvement in?

JM - Yes, we intend release even more titles on Blu-Ray [BD for short] next year. What I’d like to try and communicate to the fan community is why some titles come out on BD and others don’t. As usual the explanantion is cost versus return. The cost of authoring the Blu-ray discs, manufacturing and paying the license fee to Sony for use of the BD technology is very high. Our rule of thumb is if we can sell at least 3,000 Blu-rays we will release it on Blu-ray. So, it’s safe to say we will release 'High School Of The Dead' on as 2-Disc Blu-ray set next year. Our movies will also get the HD BD treatment including Summer Wars, Redline, T.O., Musashi etc.

AC - One big development for Manga UK you were excited about back in May was the inclusion of Martial Arts films not only in the Manga UK catalogue, but being retailed on supermarket shelves. How has that venture been for you?

JM - The venture has been successful, but not as successful as I would like. When I say that what I mean is that 'By The Will Of Genghis Khan' and 'Kamui' have both sold as well as if not better than other similar titles released by oiur competitors. However, neither has achieved the lofty targets I set for them. Nonetheless, there is definitely a good market for Japanese swordplay dramas and action films and we will continue to release live-action titles. We have 'K-20' out on 10th January and 'Tajomaru: Avenging Blade' out on 31st Jan.


AC - Another interesting topic of conversation at the moment, is legally streaming anime.
We've brought up Crunchyroll in previous interviews with you, but we wanted to focus on the market in general and how secure it is.
You experimented with having Fullmetal Alchemist: Brotherhood streamed on your site (Manga.co.uk) prior to the release of the first volume on DVD/BD. Looking back, what was gained from this venture?

JM - It’s been a far from satisfactory experience for myself, the company and most importantly, the UK fans. A lot of lessons have been learnt. Most importantly, at this stage it is more cost effective for us to focus on the Funimation content that is sublicensed by Manga for the UK and to work with Funimation.com on unlocking and windowing that content for YouTube.co.uk. One of the major fan complaints is the constant turning on and off of the streams via YouTube, which is not very well co-ordinated between Manga and Funimation yet. But we are working on it. Once again, I must beg our fantastic consumer’s patience on this issue.
With regards to www.manga.co.uk streaming. The cost of ripping, encoding and hosting the episodes exclusively for our site is not really cost-effective. So, we are investigating other solutions for how we bring content to our own website.

AC - Is it a concept Manga UK would consider being involved with on a more regular basis?
I would argue that all of the non-Japanese territories urgently need and want to further develop the digital delivery of anime to their customer base. It will become essential to our business year on year from now and for evermore. Will we ever see digital revenues equaling finished package good revenues. I doubt it.

AC - From you perspective, could streaming anime a profitable venture for Manga UK?
[See above.] I hope so.

AC - Following the recent incident with Anime News Network [ANN for short], can you give us an insight into what precautions you had to take to be able to stream FMA: Brotherhood successfully?

JM - Manga.co.uk and all of our digital activity is co-ordinated and serviced by Starz Digital in New York. We have an incredibly robust system. We have to! Starz/Encore is part of our company and as you may know is the TV subscription TV channel run by Starz. They have an exclusive output deal with Disney and Sony as well as some very high profile Starz Original programs like Spartacus and Pillars of the Earth. I would argue that their infrastructure is extremely secure without really knowing very much about the exact tech specs etc.

AC - Looking ahead to the London Expo next weekend, you've teased on twitter there will be more announcements from Manga UK. Can you confirm this will be case?

JM - Yep, I have 3 big announcements at least.

AC - How has the expo adding an extra day to the schedule altered preparations from previous expos?

JM - It actually gives us a bit more time to set up, which is nice because sh*t always goes wrong for us on set up day anyhow.

AC - One of the big aspects of the expo is the stalls packed with merchandise and DVDs. Will you have any forthcoming releases available early this time around?

JM - Not really. We’ll have Bleach Series 5 Part 2 ahead of it’s Monday 1st Nov release date. The problem for us is that we only get finished stock a week before it’s due on shelf whereas Bezz on the other hand have stock sometimes months before release schedule because they are manufacturing for France, Germany, Ital and UK etc and their lead times are much longer. We will try to do better.

AC - You're going to be holding a focus group at the expo. How and why did this idea come about?

JM - It’s something I have always wanted to do, but have been unable to due to the costs involved. Usually you would hire a market research group to run it for you. We are doing this ourselves with our media and PR agency. It will be a learning experience, but hopefully it’ll be fun for our 40+ participants and we’ll all come out of it with valuable experience.

AC - Did the number of people willing to participate exceed your expectation?

JM - It certainly did. I love Twitter.

AC - What do you intend to gain from the focus group?

JM - Feedback on one new show we may pick up. We are working with the Licensor to see UK fan’s response to an episode. Test out some packaging and design ideas and generally pick their brains. Mwahahaha (Villainous laugh)!

AC - To conclude, aside from the fact it's a very busy weekend for you as you've documented in the past, are you looking forward to it?

JM - I always look forward to it. I think it’s my eleventh Expo now. That means I’ve dedicated 11 weekends of my life over the past 5 ½ years (22 bloody days) to the Expo. I wish all entertainment marketing managers did it. It’s invaluable.

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Following the above, we came to the conclusion that that more questions had formed stemming from the answers given. Jerome was gracious enough to grant us more time to answer those questions! Here's what was said -
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JM - There's one [thing] I'd love to hear feedback from the fan community on, and it's one of things we'll ask when we do these focus groups [at the London Expo]. We've so much content being offered to us to release next year, that I really want to try and find out how much we can release! How many DVDs and Blu-Ray we can release in the market next year without killing ourselves and canibalizing ourselves and other titles? That kind of thing would be really interesting to gauge fan reaction and feedback on. You know what I mean?

AC - Yes, definitely. And is that one of the goals of the focus group [at the London Expo] then?

JM - It is, but also to find out about their online activity, offline activity in terms of magazines, websites they visit, social networking. Obvisously you've seen what we do with twitter, that's very important for us figure out what they're doing there. It's really important for us to figure out what they're doing there. It concerns me [with how many titles Manga could potentially release next year] that it might be too much!
When making a statement like that, it also shows the [current] state of the business. I think in terms of our competitors and how little there putting out [and] how we've gobbled up most of the titles to release. [Look at] how much more active we are than Beez or MVM, we'd love to find out more [about what people think]. We really want to gauge how many DVDs a year UK Anime fans are buying. It concerns me, and I don't want us to overdo it and ask fans to shell out more than they can realistically afford in the middle of a recession.

AC - From my perspective, I would say having that many titles potentially being available is a major step forward, but it would depend on the price! As you said, with the current economic climate it's quite difficult to gauge how much I'd be willing to spend on DVDs and Blu-Ray.

JM - Yeah that's totally fair!

AC - Even if I liked every single one I'd never buy all those personally in one year!

JM - No, no way! We acknowledge there's a scale. You've got you're 'A' titles, 'B' titles and 'C' titles. Something like 'Naruto Shippuuden' in terms of episodic Anime, is an 'A' title that 60 or 70% of the UK anime fans are buying. Then something like 'Claymore', that might be a 'C' title is likely to sell a lot less. We don't expect every fan to go out and buy every title. But it's trying to figure out if there's enough fans, to go out and support each title to the minimum we need to make it viable to release. I guess the other thing in this business is that you can have a couple that don't perform to expectation as long as a couple of other titles over perform. It's like the classic Hollywood formula. You look at what movie studios like Universal who release 12 films in a year, 8 of them might fail, but two or three of them might do really well and that's what's makes them money.

AC - The titles you potentially have available to you, are these episodic series or standalone movies?

JM - There's going to be a lot of movies to release next year. We've announced quite a few already. There's 'Redline', which is really exciting! There's 'TO', which is also the '2001 Nights' adaptation from Fumihiko Sori and that's four thirty minute OVAs presented together as a film. We picked that up from Shogate. We've got 'Summer Wars' at the end of March. Those represent I think, a quarter of the films we've got for next year. We've also some Live action stuff, there's a lot of Anime. You know that Anime films generally take four or five year to produce, so you get a couple of quiet years where there's not many films out and then suddenly bang, you hit a busy period which is next year in terms of foreign distributors picking up the rights on films. 'Summer Wars' came out in Japan in 2009, and it was out on home video when I was there in March for Tokyo Anime Fair. Funimation didn't receive the masters until July, which means they're turning in the finished masters of the English dub in November or December. Hence, the March 28th street date.

So, it just so happens next year that there's a lot of great films available with English dub. We'll also have 'Eureka Seven' ready for next year. We're co-authoring that with a few different distributors to bring down the cost on the Blu-Ray, and that's why that's been delayed. But it's all worth it. You get the DVD and Blu-Ray release to chose from with an English dub. Generally the relationship we have with Funimation means there's a shed load of additional output. They're coming to us with everything they're picking up English territory rights for. Then you have to make judgement call on whether those are worth picking up because for them a low performing 'C' level title in American, it might be selling [a few thousand copies], but then not as much over here to cover the cost of authoring it and 'BBFCing' it. So that's why we have to try and be careful about everything we release. I'd rather try and release [fewer] excellent quality titles that fans will go and buy next year, than double the amount, with half of them be mediocre and only appealing to a niche narrow audience. But it's exciting!

AC - Do you think with the wealth of those titles, that might be where streaming Anime comes more into play with you distributing them if you've got the choice to have so many?

JM - Yes and that's why one of the things with Funimation is that they can simply unlock their YouTube for the UK and we can manage that for them. The only issue currently is that their managing the streams from the US and windowing those episodes so it means for 'Fullmetal Alchemist' or 'Soul Eater' will be turned on and off at different times. I don't know what the schedule is, so it's random at the moment we're not really coordinated very well and that's something we're going to work on, but yes. I am always encouraging Funimation with whatever UK rights they've got. If they've got the programs ready and am streaming them on YouTube in the US, then just unlock them straight away and make them available! If we can do a bit better coordination with them, then it means we can notify the UK fans via Twitter, Facebook and our website to go and watch those shows on YouTube.

YouTube's getting better as well in terms of quality. We want to direct the fans to YouTube because it's where Funimation can collect revenue through advertising and it's legitimate. You know, we don't get very many complaints about YouTube. Some say the picture quality isn't as good as on the illegal sites but I think the fans themselves would prefer to go there to watch it if it's there. So like 'Hetalia', which a lot of fans are excited about, happily they can go watch that on YouTube at the moment in the UK. If you go on YouTube, you go on the Funimation channel and look through the menu, there's about fourty percent of what's there that on the Funimation.com channel that you can watch in the UK! So it's just trial and error. Go on their page on YouTube, clock on the content and see if you can get, should be unlocked. Anything we've released in the UK on DVD should be on there and available to stream if it's currently activated.

AC - Going back to forthcoming releases, you mentioned trying to judge or gauge how well a series could do. What were some of your reasonings or estimations behind acquiring 'High School For The Dead' and 'Cashern Sins'.

JM - I knew about the 'High School For The Dead' manga ages ago. It was after I read an article in NEO that Johnathan Clements had written. So the first thing I did was try and find out if anyone had picked up the rights for it because I thought 'that's just perfect'. I think it's got huge potential, not just for an Anime series but live action films and depending what the creator and publisher are like, there's so much you can do with that with just for American television and movies! It might mean the end products are very different to the original material, but you can't go wrong with 'High School For The Dead'; it's such a cool brand! The anime itself, I got to have a sneak peak of it while at the Tokyo Anime Fair, which was great! I think I was the first person outside of Japan (in terms of foreign distributors) to get to see it because the guys at Showgate knew I was really into it and I'd been asking a couple of years earlier if they were doing anything with it. As soon as I saw it, we put an offer in for the UK, and that was back at the end of March of this year. You've got 'The Walking Dead', starting on [the] FX [channel] really soon, I think that's going to be a huge for TV and on DVD. Zombie DVDs, like the George Romero stuff, all these direct to video zombie horror films always do very well in the UK! So having a zombie horror themed Anime is an opportunity to get more non-Anime [and/or] non-traditional Anime fans picking up something. A lot of zombie fans are probably familiar with Anime, but they might not have bought a DVD or seen an Anime film since 'Akira', 'Ninja Scroll' or 'Legend Of The Overfiend'. So 'High School For The Dead', has got huge potential I think, It'll be one of our biggest releases for next year. Saying that, we never really get to carried away, because Anime is very niche and we always to focus on our target audience. I can't imagine 'High School For The Dead' going into Asda or Morrison's, but I think it's something that most of our Anime fan community are wanting to see and check out, so that's exciting!

AC - And for 'Cashern Sins', was that choice made purely because you'd releases previous incarnations of the same franchise?

JM - Yeah, but that wouldn't be a good reason to pick it up. The original 'Cashan: Robot Hunter' Anime, was a complete bomb! We sold bugger-all copies! I saw the new series and thought it was very good. One thing that always factors in our decision is 'has Madman [Entertainment] in Australia released it?' 'Have Funimation picked it up the English Dub?' So that ticked those two boxes. When Madman picks something up for Australia, it means they've already created a PAL master, so it cuts down our cost on authoring and makes it a bit easier to turnaround the production and get it out for the UK. 'Cashern Sins', is a really great Animation stylisticly, sort of sci-fi. It's not going to be as big as 'High School For The Dead' but we do take seriously all the questions and requests we get through our website and through twitter. [For example] People asking us 'please say you're going to be picking up this or that or the other?' We take note of that, and 'Cashern Sins' is one where there is a vocal fanbase for it in the UK, so we thought we'd give it a try! We're looking forward to releasing that as well! We might be able to announce more titles we're doing with Funimation at the [MCM London] Expo. I'll have to check with them and see if we're allowed to do that, because the process is that they will offer us UK distribution rights, we come back and make them an offer, but then they need to get that approved by the actual licensor in Japan. And that can take some time. But, there's some really cool stuff we're going to be doing!

AC - And, as you mentioned earlier, you're intending on announcing 3 more titles at the MCM London Expo correct?

JM - Yes. Yeah, that's right, and you'll have to wait and see what they are. We'll announce on Twitter as well on the Saturday, we might even do on the Friday because the expo opens on a Friday this year. It gets so busy on a Saturday that we might announce it on a Friday night. Also, that's when most people are on Twitter so we'll probably do that. I'm really excited about what we've got to announce. It's not usual Manga fair, but we've seen with releases like 'Ouran High School' that the fans tastes are changing, and we've got to keep up with that!

AC - Have you found with the current economic climate that Anime has become more niche, or do fans want more of the stuff they know. Going for almost like ' comfort food' stuff, or is withdrawn a bit?

JM - Good question! I guess you could say... [pauses for a moment] Y'know, fans aren't stupid and maybe they're not as badly affected by the recession. I'd say a big chunk of our audience are college age, a lot are probably spending their grant money on a monthly Anime purchase, well some of it. They're making their decision based on what they like. I haven't really seen sales perform against our expectations. That would indicate fans are cutting down more than consuming. But you do have staples which can do well. You could argue that 'Naruto Shippuuden' wouldn't have sold as well as the original 'Naruto' that we're released. We started releasing Naruto [i.e. 'Naruto Unleashed'] over four years ago. But we've seen our week one and month sales of 'Naruto Shippuuden' box one, box two and box three, have been consistent with what we did on 'Naruto Unleashed' series 1 part 1, series 1 part 2 and, series 2 part 1 which were released between August 2006 and January 2007. So that's interesting. We've seen the sales on Bleach Series 5 are not as strong as they have were on series 4 or on series 3 and I think that's not because of the recession, well it could be, but because it's filler. They say series 5 is weak, there's too much filler, and that could also [be a case of] they're like 'I'm only going to buy what I really want, so I can't afford to make these discretionay purchases anymore'. Anime DVDs, while the price has come down, they're still expensive compared to other things. And ultimately, the way the supermarkets [are] pricing, it's affected the trade itself. You can go into Asda or Morrison's or Sainsbury's on Monday next week and buy 'Iron Man 2' for a tenner or on Blu-Ray for £14 or something ridiculous like that. Anime fans are going to go 'if I can buy Iron Man 2 for £10, why the hell should I pay £20 for Naruto?'

Another thing that affects price is HMV. As long as they're in the market, you've [also] got Amazon competing with HMV, and Play competing with Amazon, Amazon are essentially dictating the prices and that's why on a £24.99 double disc, twelve episode set like 'Naruto Shippuuden', that suggests a retail price of £24.99! But you will find if you pre-order it on Amazon, or you buy it in the first four weeks of release, you're going to get anything from £15.99 to £17.99. You're making quite big savings and I guess in a way, we're relying on the competitors and our retail accounts to keep the cost low without us having to drive down our real costs on what we'd sell it for. To be honest with you, once you deduct the licensing fee, mechanical royalty fees for the opening and closing credits music, once you deduct the sales fees, the distribution expenses, marketing, all of that stuff, you aren't actually left with very much! Let's hope the Anime audience here [in the UK] remains robust because it is being really good! Yeah, on the air it's a pretty solid business, not like huge business, [profits are much lower than turnover] but that indicates you don't have much growth in terms of audience or they're moving onto other things and younger fans coming in, but it's a cult niche, sort of underground scene. It attracts some new people but it never really blows up, which is cool. I think in the current climate, seeing a year on year decline in DVD sales and a year on year decline in value of the DVD business, we're very lucky to keep such a loyal customer base. The way to keep that is to keep delivering quality releases, keep delivering the shows they want at the price they want to pay, and hopefully we'll always maintain a balance between what the fans want and can afford, and what we can afford to do a business. I hope that's educational for everyone and I look forward to everyone at the expo!

AC - Thank you very much for your time!

JM - No problem!

Tuesday, 28 September 2010

MCM Expo Floor Plan, Dir En Grey in session on Radio 1, Durarara episode 12.5!

MCM Expo Update
The MCM Expo is fast approaching, and they've now revealed the preliminary floor plan for the weekend of October 29th-31st!



The first key thing to note (as also noted on the expo website) is that there are a total of 5 stages, with the Anime/Comic village being located in the top right corner of the map.

A fully detailed plan will be available by the time expo begins, but it's abundantly clear that the there's a lot of things happening at the expo this time around. Be it in the form of stalls, or the stages, given the record breaking attendance that the May MCM Expo saw, it looks like they've attempted to help ease the crowds by having (what appears to be) more space in general, and the extra half day on Friday!

A higher quality PDF version of the map can be downloaded from www.LondonExpo.com the official website of the MCM Expo.


Durarara Episode 12.5
On the Anime front, if you're a fan of the series 'Durarara!!' (which Beez Entertainment will be releasing here in the UK beginning in November) you might want to read this!

Included on a recent Japanese DVD release of the series, was an episode known as 'episode 12.5'. This OVA has now been made available by the great folks over at Crunchyroll for free! You can also watch episodes 1-12 of the series there as well! You can visit the dedicated page of the series at Crunchyroll's website here. But, we should also note, you can head over to our friends at www.UK-Anime.net to watch Episode 12.5 there as well!

'Durarara!!' will be released in a subtitle only form here in the UK. Something that Beez Entertainment themselves said is a risk. If you're unsure about purchasing the DVDs, this is the perfect time to check out one of Japan's most popular anime series! The DVD sales alone for the recently released Volume 8 prove it's worth! Coming in at #4 in the weekly sales rankings off the back of 11,582 copies being sold! It should also be noted that DVDs in Japan aren't cheap, and they only contain a few episodes as well!
(Source for DVD rankings/sales figures: ANN)



Dir En Grey Radio 1 session
And the final note of the day is from the world of Japanese music, in that this weeks edition of the BBC Radio 1 Rock Show (that airs every Monday on BBC Radio 1 here in the UK,) featured 3 tracks performed by Dir En Grey that were recorded at the famous Maida Vale studios in London during their recent excursion to the UK!


The three tracks from the session were 'Dozing Green' (taken from the groups most recent 'Uroboros' album), 'The Final' (from their 'Withering To Death' album), and 'Shokubeni' (a b-side included in their recent CD single of 'Hageshisa to, Kono Mune no Naka de Karamituita Shakunetsu no Yami' in Japan). The first two songs aired during the first of hour of the program, with the third track airing closer to the end of the second hour.

The program is available for streaming directly from the BBC Radio 1 website until the the next edition of the Radio 1 Rock Show has been broadcast on Monday 4th October. So be sure to listen to it before it's too late!

If you're not familiar with the band, it's a great opportunity to check them out at their best! Their performances at the Sonisphere Festival and Camden Koko in August were both stunning (I can vouch for this having attended both concerts), and this session doesn't disappoint either!

For more information on Dir En Grey, you can visit their official website at www.DirEnGrey.co.jp (There is an English version built into the site.)

Monday, 27 September 2010

Manga UK to run focus group panel at MCM Expo, plus more expo news!

For anyone attending the MCM London Expo at the end of October, and are someone who really thinks when it comes to purchasing anime, you may want to pay attention!

Manga UK have revealed via their twitter page that they intend to run a focus group panel at the MCM Expo at Excel London on Saturday 30th October where the topic will be Anime fans consumer behaviour!

They are looking for 6 groups of 6 people (male and female) for between 30 and 60 minutes covering the demographics of ages 12-14, 15-19, and 20+.

If you want to register your participation, simply send Manga UK a DM (direct message) to them on Twitter including your name and age.

The last update regarding sign ups for this focus group (on September 22nd,) was "Thanks to all of you for the MCM Expo Manga focus group requests. Keep em coming. We need more girls/Guys aged 13-15 and 16-19."

Plus, if you do take part, Manga have said each participant will get a "blag bag full of dvds and blu-rays valued at £50".

For more information on this focus group, visit Manga's official twitter page at http://www.Twitter.com/MangaUK


On the video game news front, it's been confirmed that in the Games Expo portion of the MCM Expo, Bandai Namco Ganes will have on show 'Dragonball Raging Blast 2', 'Naruto Shippuuden: Ultimate Ninja Storm 2' (both set for release on Xbox 360 and Playstation 3,) and the upcoming PSP title 'Dragon Ball Z: Tenkaichi Tag Team'. (We should note that It's currently not known which version of the 'DB Raging Blast 2' and 'Naruto: UNS2' games will be on show.)

The MCM London Expo takes place on October 29th-31st at Excel London located at the Royal Victoria Dock. For more info, please visit http://www.LondonExpo.com

Monday, 31 May 2010

London MCM Expo, May 2010, Anime Industry panel transcript

Here is a (near) complete transcript of the UK Anime Industry panel from the May 2010 MCM expo in London. I say near complete as our recording equipment had a small issue during the Q & A portion of the panel.

[The panel consisted of Tony Allen of MVM (left), Jerome Mazandarani from Manga UK (middle) and Andrew Partridge from Beez (right).]

Host – To begin with why don’t you each tell us some forthcoming titles and releases.

Tony – I’ll go first as I’ve got the least (laugh), I’ve not got a fantastic amount to new stuff to announce. The only new things on the horizon, and have already been commented on before, but probably the biggest one is ‘Blade The Immortal’ and another one people are waiting for, is the new Slayers 4th Season ‘Revolution and Evolution-R’.
The other that’s taken quite a while to get out is ‘Moribito – Guardian Of The Spirit’.
Just to let you when’s what from after this show, ‘Rozen Maiden Torment’ we’ve got following ‘Rozen Maiden’. ‘Pet Shop Of Horrors’ as a stand alone in August, ‘Moribito’ volume 1 will be in September. And that will actually be MVM’s departure from single volumes because we’ll be following the lead of Manga, actually doing the 2-disc sets. So of course, we have to sell twice as much of it, so go buy and twice as much please. That’s a slight lie there actually, ‘Blade The Immortal’ will be out in October and will be single disc, the same as the Americans and Australians are doing it, I imagine we’re all doing single discs for the same reason, because it cost a bloody fortune! So that will be 3 discs to complete ‘Blade The Immortal’. And then of course we’ll follow on with our well known boxsets. I think that’s one of the things that make MVM standout, is the quality of our boxsets we bring out for each series. So stuff we’ve not got out yet on boxset will be following on with things like ‘Aquarion’, ‘Fate Stay Night’, ‘Romeo X Juliet’ and of course, eventually you’ll find the ‘Slayers’ one. All 3 ‘Slayers’ series boxsets are out here at the show, and actually we’ve had great support, thank you to the people who have supported ‘Slayers’. And that’s all from me.

Jerome – Hi everyone, we’ve got loads going on. Before I start telling you some announcements, just like to remind you that we’ve got our Manga/Viz Media DVD bookshop over there. We’ve Sky Crawlers on DVD and Blu-Ray today, we’ve also got a £1.00 shop, over the by the entrance, so keep an eye on that.
In terms of new releases, obviously we’re really excited to have Sky Crawlers out on Monday. Evangelion 1.11 came out about a month ago and is doing really well! So I’m really pleased with that. In terms of big new announcements, we will be releasing ‘Eden Of The East’ as a double disc DVD and Blu-Ray boxset in November, which is a tentative release date, but it will be out before the end of the year so it should be a stocking filler, I hope, for a lot of fans. We’re going to be picking up ‘Baccano’. These are via Funimation, so we’re going to be releasing that before the end of the year. We haven’t got a firm release date, but ‘Solid State Society’, the Ghost In The Shell – Stand Alone Complex OVA, will be available on Blu-Ray in time for Christmas!

Andrew – It’s coming out in the USA, Autumn time says Bandai USA.

Jerome – So Andrew and Beez will be handling France and Europe, we’ll be handling the UK and Manga is selling it in North America for Bandai.
The other big news is that we finally have a release date for ‘Vampire Nights’, the first series. Now unlike everything else, they’re going to be single disc volumes but they’re going to be retailed at a very keen price, should be under a tenner at HMV, Play.com and Amazon. Volume 1 has the first four episodes and will be released in October. Volume 2 will be the next 3 episodes in November, and the next 3 episodes after that will be out in December. We’ll finish season 1 in January. There’ll probably be some type of season boxset, but Viz Media would like us to follow what they’ve done in France and the United States. Then early next year, we’ll be launching ‘Vampire Nights Guilty’, we’re really looking forward to that.
We’re also showing at the Manga booth today ‘Professor Layton and the Eternal Diva’, we have a teaser trailer, a really nice looking booth and we’ve teamed with Nintendo to let you guys have a go at the games. It’s the first Professor Layton animated movie, it’s from Level5 the team that make the games and will be out in October to coincide with the release of the third Professor Layton puzzle game on the DS. There’s going to be a lot of activity in October, we’re really excited about that. We showed it last week at the NFT and got a really good response.
We’re also launching ‘Manga Live Action’ which is our Live action label. We released a few live action films last year like ‘Ichi’ from Fumihiko Sori, who also did ‘Vexille’, we also released ‘Chanbara Beauty’ last year. This summer we’ve got a lot of releases, including ‘Kamui Gaiden’, which will be title ‘Kaumi – The Lone Ninja’ in the UK, that’s going to be out on DVD and Blu-Ray on the 9th August. We’ve also got ‘By The Will Genghis Kahn’ out at the end of August, which is Chinese/Russian film about Genghis Khan funnily enough. We’ve also got K-20 scheduled for release an August release, it features the star of ‘Three Kingdoms’ and it’s from the guys who did ‘Death Note’. There’s a lot of stuff, you really need to check our release schedule, visit Amazon or Play, but those are the biggies, we’re really looking forward to it, and we’ll have more news for you in October!

Tony – Andrew, just before you start, I’ve got to mention our Live Action as well, because of course MVM went into Live Action this year. Apart from all the brilliant stuff we had this year like ‘The Sinking Of Japan’ and 'Geisha Assassin', the next one we’ve got is ‘Samurai Zombie’ which, is bloody brilliant and looks like it’s shaping up to be really good! If you haven’t seen it, the trailer’s out, there’ll be a ‘My Movies’ campaign for it, and the sleeve design’s already out which is excellent! That’s looking pretty good as well!

Andrew – Before I get started, I just want to remind everyone to visit the Beez shop! They might have ‘Sky Crawlers’ a few days early, but we have ‘Code Geass R2’ a month early! Before I go into our lineup, we did come into trouble with the BBFC due to the ‘Dangerous Cartoons Act’, don’t hold me to that. One second of scene on Code Geass which had Shirley being groped by the class president, had a little girl in the background apparently viewing this. Now, under the ‘Dangerous Cartoon Act’ any child or minor viewing, the sexual act as well, is also under liability, so we were officially told cut that second out, or you can’t release it. It won’t be allowed. So what we did was we went with the TV version from the USA, which basically just overlays the previous image. So it’s not noticeable at all, all you will hear is a click or something that isn’t there when she’s scanning with her phone, so it just sounds like a problem with her phone to be honest. So it’s not noticeable, I will probably post a picture up on the blog as a DVD extra link, because it’s not illegal, it’s in fact crazy that it happened. But those are the rules, we have to obey them like everyone else sadly. But it hasn’t affected the quality, and the DVD is on sale today.

Host – So the groping is fine, but anyone seeing the groping is…
Andrew – Oh yeah, of course. The groping was apparently perfectly fine and that would’ve been a 12 rating.

Host – What’s the age rating for it?

Andrew – 12. Or 15, I can’t remember which.

Host – So real minors can watch it.

Andrew – Real minors can watch it, and character minors no! There’s logic for you guys.
But anyway, without the logic of the BBFC here, I did a license guessing game online, and I really want to go to the exciting one first which people have probably guessed. Going backwards, we have ‘Gundam 00 season 2’, that’s locked in and confirmed. We have the ‘Zeta Gundam’ movies. Those will both begin before the end of the year, around Autumn time, October expo time give or take. We also have ‘Outlaw Star’ confirmed now for the ‘Anime Legends’ range, and that will go straight to the ‘Anime Legends’ range, which is doing remarkably well in terms of the fact people like having anime cheaply, who’d of thought! To give a bit of background, the reason it’s not possible to straight to a complete boxset, for any of us just now, is that Anime Legends which is £24.99 RRP usually. Because we’ve sold it all already, it’s all ok. But if we wanted to sell it straight license wise even at £34.99, here’s the bleak picture, you’d have to sell about 8000 units minimum to make anything back, really, barring just breaking even. The reality with ‘Anime Legends’ alone, 5000 is doing well, really well if you did that. So there’s at least a plus of 3000 difference of people, to make a single boxset cheaply happen from the start, which is why it’s not going to happen in the near future. But, we’re all moving that way slowly, and if more people start buying, then the future may be positive. We are working on it, so give us some time. Building up to the last license, which is an interesting one, is ‘Durarrara’! Which is actually the same team of people who produced ‘Baccano’, the same writer behind ‘Beccano’, and the exciting news is that we’ll probably have that out by the end of the year! This is a special case, but (to the audience) how many of you are sick of waiting for the USA to release a title before we do? Well, the only way we can do that, is to release titles subtitle only initially, which is what I’m about to take a leap and try. Because I don’t think you guys should be made to wait, and it’s hard to persuade a licenser to license it to the UK first often, but we’re trying this. It’s no one’s fault we haven’t tried it before. It’s a very risky move and I’m sure the other guys here would agree with me on that. But, at this stage of the game, if you don’t take a risk every so often, you’re going to lose out eventually.

Jerome – True.

Andrew – So, giving it a go, and we’re going to see what happens. If it goes well, I suppose Jerome at least will come running behind me oppressively. What really did it for me though was, I’m a fan of both ‘Eden Of The East’ and ‘Beccano’ so I suggest you buy them from Jerome when they come out, but they got bought for English speaking rights by Funimation. Which meant event Jerome and I had wanted to release it earlier, we couldn’t. Because you can’t do it until they have the materials ready and such.

Jerome – This brings me onto ‘Summer Wars’. We were hoping to have ‘Summer Wars’ released on DVD and Blu-Ray in October. But, the materials came in very late to Funimation, and they’ve only just started dubbing it. We’ve actually licensed it directly from Nippon TV, but we will be using the same dub that Funimation produce, and that won’t arrive until the end of November. So, it means our home video release date has had to be pushed back to February of next year. But, It’ll be a really gorgeous and big release for us, we’ll probably put it on cinema screens a month or so before.

Andrew – It’ll do really well, it’s a really good film… and I probably shouldn’t be saying this (laugh). But I’m not saying we won’t release dubs. This is not what I’m saying. If there is a dub coming for a title that we license, we will wait for it. It’s common business practice. You don’t throw money at something only to get a dub out ten months later. If a title we license is licensed by the USA, and the dub is comes out, we will pay a material access fee, we will do a new boxset for it. Anyone who has adopted it early I will fight with down to the bone to arrange an upgrade for, like John Ledford has done with his new label Section 23, when he released a dub, although different reason for the upgrade there. That is what we’d look to do if it happens. I can tell you in the case of ‘Durarara’, it will be sub only in the USA as well when it’s released. It’s not related to my company whereas I can’t talk about it. I think Jerome will probably guess from that what I mean by that, but I digress from the main point at hand. So that’s what’s happening there, we have at least one more title in my belt already from that range. We’re going to work it out from there and see how it goes. If you like it, support it. We’ll do stuff on the Beez web shop which is about to go live, so you can perhaps follow the ‘wright stuff style’ model and the earlier doctored to be credited on the DVD as well, and on any promotional booklet we do to make a release happen too.

Jerome – I forgot to say we’ve also ‘Naruto – Shippuuden’ boxset 1 available on the 14th June, that has the first 13 episodes. We have ‘Soul Eater’ part 1 out on the June 28th June, and ‘Fullmetal Alchemist: Brotherhood’ will be launched around the 23rd August on Blu-Ray and DVD, double disc set, first 13 episodes!

Host – Would like to ask a question to any of the panel?


Q - In a recent interview Jerome, you said supermarkets won’t take anime titles, but didn’t explain why?

Jerome – It’s not because they hate anime. To be honest, most of the buyers at supermarkets who buy dvds are not that familiar with anime. The main reason is that supermarkets offer dvd that people go in and pick up in an impulse. You’ve got your big studio releases while you’re doing your shopping like Avatar. Like ‘you spend £50 in Tesco and you buy Avatar on DVD and Blu-Ray for £10 or whatever. That’s one of the reason why we launched ‘Manga Live Action’, and why Tony (MVM) is doing what he’s doing. If you can pick up a good Asian genre movie like a war movie or samurai sword play martial arts, and you can pick it up for a pretty good price, and we can offer it to supermarkets at a good impulse price, which is to be honest with you has to be under £10, that stuff sells. Moving back to the main point on anime, you guys, when you don’t buy your dvds, you’re self purchasing, you’ve planned what you’re going to buy and you go to HMV to buy it, or you go to Forbidden Planet, Play or Amazon. The supermarkets feel there’s not enough education out there for customers to go in. For example, ASDA sell all the Dr.Who range now, and there really enjoying good business with that. They’ve slowly educated their supermarket customers, that you can buy the new Dr. Who DVDs there every month. It’s not writing off anime in supermarkets, but we are a long way off. Most animated sales in supermarkets are generally the big Disney-Pixar films or Ben 10, things which have a lot of toy merchandising, so it’s quite complex. Naruto would have gone into supermarkets had Jetix continued playing the show and the merchandise had rolled out, but unfortunately unless it’s Pokemon, Dinosaur King, or Yu-Gi-Oh, it’s not going into supermarkets. But you will see Ponyo in there though. That's going into Supermarkets.

Tony – It’s very good if you have the shelf space in supermarkets as well, you have to think there are hundreds and hundreds of titles that are out every month, and even in big stores like ASDA, by the time you take the films, tv series, the big stuff like Disney and Warner, there’s very little space for the likes of us to get in. I been publishing for what, 18 years, and we just got our first title into supermarkets last month! Which was ‘The Sinking Of Japan’ and did fantastic on the back of 2012. You've got to have a hook to want to go in there.

Jerome – We sold about 15,000 ‘Ichi’ DVDs through ASDA, Morrisons and Sainbury’s last year, which was quite interesting, But the other thing with doing business in supermarkets, is that you need TV advertising. With that all your costs go up and it’s a bit of nightmare. I was in France earlier this year and it’s interesting to note that if you go into Carrefour supermarket, they have even less space for DVD and they always have Anime! That shows how mainstream anime is in France, and that’s because of the mass TV exposure there. I think they have 2 or 3 terestrial channels showing anime every day. There’s a couple pay subscription channels and Video on demand. With that level of saturation you will see it in supermarkets.

Q - Are there any Manga books that you’re aware of being adapted into anime?
Jerome –
Good question. Yes I am actually, there’s one I’m a huge fan of ‘High School Of The Dead’ it’s a monthly Dragon or Shonen. Madhouse are turning that into a 14 ep series that’s airing at the end of July in Japan, we’re really interested in picking that up. I think it’ll be really big next year. The Manga’s fantastic, that’s one I’m really excited to see.
I believe there’s a second season of Soul Eater.

Andrew – Yes.

Jerome – Andrew I’ll hand this over to you.

Andrew – There’s Soul Eater obviously because the impression I got was that they left off before the end of the Manga was finished. That was kind of Fullmetal Alchemist all over again. Obviously Fullmetal Alchemist, the anime, is actually going to be animated again right to the end of the Manga now, you might be aware of. But, there’s actually an interesting thing about that, you mentioning the Manga titles, is that a lot of titles which have been converted, are coming to an end of manga format now, like Fullmetal Alchemist for example. So (a) – there’s going to be some replacements coming in, and (b) – you might see one or two other ones which have been. At the Tokyo Anime Fair this year, there was a lot more emphasis on new, original titles from what I saw. There’s a new (Space Pirate Captain) Harlock movie coming, which is CGI that looks amazing, and I think it’s going to be a bigger hit in the west than Japan.

Jerome – Gaiking and Captain Harlock, I believe both of those are being produced in the states and not in Japan, that’s what I originally heard. But the teaser trailer on show at Tokyo Anime Fair, were absolutely astounding. There’s a lot more CGI, I think there’s a move away from adapting long running Manga series into anime, because the Manga markets in a decline. The TV studios don’t want to buy 26 or 52 episode run shows. The future for a lot the smaller animation studios, is in short form OVA’s or even movies. In Japan they might open an hour long movie on a couple of screens in Tokyo, and then build up to the DVD and Blu-Ray release about 3 months later.

Andrew – I think that’s good, because there’s more room for studios to do their own thing. You’ll see a lot more people being allowed to do their thing for a shorter space of time. You’ll see some of the best adaptions will get them. I half wonder if we’ll see a new adaption of the new Rumiko Takahahsi Manga, because everything else she’s done in the last few years has been turned into a anime, and it’s very Bleach esque to an extent. Apart from that, it is going to more original and shorter works. So manga, if converted, like Fullmetal Alchemist season 1, where it has the effect of where you get a curb off, so it can be wrapped up quickly. Is that something anyone really wants, as it’s feel less satisfying. [23.45]



Q – Question for Jerome. You mentioned you were licensing ‘Kanon’.
Jerome – Yes, we’ve put in an offer for Kanon, I think that will be next year I think.
Q – Speaking as an often persecuted moe fan, does this mean there is an outside chance I can look forward to title of a similar niche, making a transaction across the Atlantic in the future?
Jerome – Funimation have a lot of all English speaking licenses. I think they've also got 'Masters Of Martial Arts'...

---------------------------------
NOTE – Unfortunately, at this point, there is an issue with our recording which affected the next minute or so.
However, Jerome went on to say he’s worried about these types of series because of the recent ‘Dangerous Cartoons Act’, and if they have to make cuts to a series or feature themselves, it would cost a lot of money to do so.
Andrew referred to the issue they had with Code Geass R2 once again.

Discussion then turns onto the 'Digital Economy Bill'.
Andrew began talking about his thoughts on how this new act means that the government has the right to punish before a trial.
----------------------------------

Andrew – …They’re right to look at people who download excessively, we all probably steal in some capacity, but the letter of the Law say we’re breaking it for doing it. It’s very draconian, I feel it’ll be appealed. For example, they’re talking about punishment before trial. I could download 500gb or 1TB worth of Gurren Lagann. I’m the license holder for that series technically. I could be downloading it and checking something, I could be doing any number of things with it. I would be cut off from my internet connection before they checked that. So, if there’s a trial first even then it’s a bit curious. But I think the actual letter of the law is a bit suspicious.

Jerome – I think the fundamental issue is that you guys, the fans, the audience, don’t shell out for some of the content, be it through iTunes, streaming subscription or buying a few DVDs a year, there won’t be more made. It’s true, and it’s getting incredibly hard to monetize anime, and my fear is, there will be anime, but there will be Ghibli-esque movies, there won’t be as much short form or episodic. We all need to support it. And that is much as each fan buying a couple of DVDs a year, but really annoys me is that I get all these kids coming up to the stand and saying ‘is D-Gray-man series 2 out today?’ I say ‘not for about another month’, and they say ‘I’ll just import it or download it’. And they’ll happily go to TokyoToys and buy a £30 yaoi paddle, or a £100 replica sword! So, you’ve got to value the content, it’s not fair to say the anime show, movie or Manga book isn’t worth buying, I can just get that for free. I’ll spend my money on some tat that some 5 year old made in Vietnam or China. I mean, there’s even kids outside that haven’t even bought a bloody ticket to the expo, but set up a facebook group to meet at expo and do their cosplay thing, but they won’t even come in here. The guys that run the show, still have to pay for the security and Health and Safety people, to make sure no one jobs themselves outside dressed a 10 foot tall friggin’ carrot. So it’s very annoying and it really pisses me off, and if everyone just supports it a bit and understands that your money, goes back to it. The way it works is that Manga licenses a show like Naruto, we pay TV Tokyo a license fee, and on every DVD we sell, we pay them a royalty. For people to say ‘you’re middle men, you just take all the cash and don’t give anything back to the studio’, is complete bollocks. We do. We fund the anime studios, our money goes back to them, and they make more shows. That is important to remember.

Tony – We do fund it, all my money goes back to them because we make bugger all, all my money goes back to Japan virtually. I mean, MVM entertainment as anime, is almost a hobby! It’s certainly not a money maker!

Andrew – Abstracting away from the law of digital downloading, I’ve given my piece on the actual letter of the law there, how many of you (the audience) genuinely think you can see any impact this having on Japan right now? (A few members of the audience raise their hands.) This is the thing, I get a lot of people coming up to me going ‘but it’s not really affecting Japan just now is it’. The real thing is, as you’ve seen no one could really see the bit credit crunch coming, except the few people who were ignored, so I full expect everyone here to ignore me when I say this. But it is affecting the Japanese studios! At Tokyo Anime Fair, it was bleak, the amount of the space there was there compared to the year before.

Jerome – Yeah it was.

Andrew – March last year was thriving with people. This time there was myself, Jerome, Madman (Entertainment, Australia), the usual crowd, and all the hallways, and you can see this from some Manga’s photos of places, was empty for the business days. That’s where it really matters, and that’s the kind of thing in the next year, two years, you probably will see several large name studios shut down, because they’re in the red and they’re desperately trying to make some new anime to turn a profit.

Jerome – I understand times are tough, people can’t spend as much as they do and technology is advancing every day and it’s so easy to access the content. I personally, wouldn’t want to see Manga pursue individual people. I’m much interested in taking down sites and portals that are putting our content up illegally. There’s one site in particular called ‘Anime Freak TV’, which have everything on there. They’re streaming and they're running advertising and that really pisses me off because they’re stealing our content and our licensers content, and their making money from advertising on it. That’s just plain wrong!

Andrew – I think we’d all agree, that none of us, if we were faced with a legal request from the ISP’s ‘Do you want to pursue charges against X, Y and Z persons, for X downloads’, I think we’d say no, because there’s no reason to persecute you guys because it’s available on the internet. Again, I stand by my statement it’s against the law and we all are probably on a weekly, monthly basis breaking the law to some extent on it. But it should be the websites who are targeted.

Jerome – I think we should get off this one, but I will add that you can go to Crunchyroll, Manga.co.uk…
Andrew – Anime News Network as well.
Jerome – Yeah, and one last thing. To be fair, if we can’t offer a service that’s as good or better than the pirate sites, it’s incredibly hard for me to sit here and say do the right thing. Again, we will continue to improve our site, and I know it’s not perfect. But I hope in a few more months we won’t have episode 42 of Fullmetal Alchemist Brotherhood still missing from our free streaming servers.

Q – In the USA, the Gurren Lagann films are to be released exclusively through Amazon.com and the Bandai shop. This is set to be a subtitle only release. How will this affect a potential future UK release?

Andrew – For the UK, this mean the release of Gurren Lagann the movie, will be a subtitle only release. This was a decision by Aniplex America for the release. The movie is a compilation with new bits added. So there’s not much money behind creating a dub on our side for it. So it means whoever licenses it in the UK, it will have to be subtitle release. What Aniplex American have done is create a very posh Japanese style release.

Jerome – It’s lush, I have one on my desk.

Andrew – Yeah, same.

Jerome – Andrew and I are gonna be in a wrestling ring later to settle who gets it.

Andrew – Yeah, we’ll probably just wrestle it out or something, I can’t decide right now.

Q – This question is about the Funimation sale. They recently came into a cross field of trouble. Say if the worst happens, and Funimation dies, is that a good thing or bad thing for us in the UK?

Jerome – It’s a bad thing! They are the single largest acquirer of Japanese Anime to the English speaking market. But I would like to say, there is absolutely nothing be concerned about. Navarre want to sell Funimation because they’re the most profitable company in their port folio. Navarre, I believe, would like to free up the cash and also I think because Funimation are moving in a really interesting direction, and it’s put Navarre out of their comfort zone. Funimation are actively producing their own animation films now. So I think they would be much more at home with a larger film distribution company, or even a Japanese owner.

Andrew – Maybe Bandai, who knows?

Jerome – The company Manga UK belongs to, Stars Media, they’re also up for sale at the moment. Manga the last 5 years, the whole time I’ve been here, has been sold 3 times.

Andrew – It’s like a game of pass the parcel in the media industry. Everyone panics because they say someone’s trying to sell Funimation. But the reality is large corporate groups and owned by parent companies, and at a certain point the investors go ‘I’m bored with that now. Sell it now, make a bit more money’. It’s like home owning! You own a home, you improve it, you kick it out again and sell it to someone else and let it be there problem.

Jerome – Generally with anime distributors, if it’s up for sale it’s a good thing because it means actually you’re making money. No ones selling something because it’s losing money right now, it’s because no one wants to buy.

Andrew – Unless you see something like Funimation closing it’s doors, the package they’re offering to the president of Funimation as well, is designed to incentivise very, very good sales. I have no doubt they’ll sell it to someone who is fantastically rich, probably.

Host – Ok, we have time for one more question.
Q – Jerome. Recently, like with the Professor Layton movie, you’ve been dealing with the company Kaze. They also release shows like Sgt. Frog and One Piece. I was wondering if this means if you’re going to be working with them more because France has such a strong relationship with Japan?

Jerome - Yes. The situation with Professor Layton is that is was acquired for distribution in Europe and the UK by Kaze, the largest distributor in France. They are now a fully owned subsidiary of Viz Media Europe. Now we already distribute Viz Media as you know, and there will be more title coming through via Kaze. Kaze are probably more likely to pick up UK rights on movies, and a few series. Sgt. Frog, I think might be one that Funimation have, but I’m a bit reticent to pick that up. I just don’t know it would work for us at the level it’d need to be to break even. Show like One Piece and Dragonball Z, which is a continuous… it’s a hobby actually, working at Manga I like to send offers to Toei Animation for One Piece and Dragonball Z. We really would like to release those two, but we still have a lot of negotiating we need to do with Toei.

Andrew – I think it’s the same for all of us. We all have a pet title. We occasionally go back in the sheets we use to calculate profit and loss. We fiddle around to try and find the system to bring our favourite titles over. Sgt, Frog, back in the days when it was meant to be ADV releasing it, I only know this because SUNRISE brokered the deal, so I heard off the record, through friends. This was meant to be a big thing. They wanted it done properly, as in merchandising and everything at the same time. My opinion on it now, is that if were all going to do it we should have done it already to an extent.

Jerome – Yeah, it’s a sort of a self-referential show for Otaku and Anime fans, and I don’t mean to be rude, but there aren’t enough of you in the UK to make that show work.

Andrew – Let’s test this out here. How many of you guys would buy Funimation style releases, as in smaller sets of Sgt. Frog?

[Some members of the audience put their hands up.]

Jerome – Yeah, that’s my point. We’d love to do it. But Funimation are trying to establish a UK streaming service so that some of these shows that aren’t on DVD here will be available. And they will also be exploiting their digital rights on iTunes. So don’t worry. Yeah, it’s a bummer that you can’t buy it on Region 2 DVD, but you should be able to access that content in the next 12 months via iTunes, Manga.co.uk, YouTube and other portals. Funimation have a fantastic digital service in the US, they’re on Hulu, YouTube, Funimation.com, I think they’ve got five or six different platforms you can access online to watch their content for free or subscribe or download.

Friday, 21 May 2010

'Professor Layton and the Eternal Diva'

Today, on May 21st, I had the pleasure of attending Manga UK's private screening of 'Professor Layton and the Eternal Diva’.


For those uninitiated into the series (much like myself until this morning), Professor Layton is a Nintendo DS released puzzle-gaming franchise, developed by Nintendo and Level 5, that has become a global phenomenon. Over the four games released so far, it's sold over 5.5 million copies worldwide, although only 2 of them are currently available on these shores. I’m led to believe that the events of this feature are set following the events of the third game ‘Professor Layton and the Specter’s Flute’, currently only available in Japan, which is a prequel to the first game. Hence, this is also a prequel, of sorts.
Following a conversation with Paul Everitt (from MyInsiderGame.com) who has played both UK games, certain characters who appear in the film are not part of either story, so, unless they're unique to the film, we'll have to hope we get introduced to them in the third game before the anime's release.

With between 40-50 members of the press invited to view, this screening was no doubt going to be quite a spectacle... and that it was!

Professor Layton and the Eternal Diva, currently set for release in September on DVD and Blu-Ray here in the UK, was stunning. Being a complete unknown to the franchise, I was going in completely green (so to speak) and had no idea what to expect.
But from the outset I knew this film would neither lose nor confuse me, because it did more than enough to establish not only the location, but also who the lead characters were and their relation to one another.



Professor Layton, an English Gentleman who dons a fabulous suit and unforgettable top hat, is renowned for his solving of puzzles, essentially playing the role of a Sherlock Holmes type character. He is very well respected and everyone in London knows who he is.
His apprentice, Luke Triton (or as he describes himself, Layton’s ‘number one apprentice’) is a very young (and much shorter) lad who's alongside Layton every step of the way, adding his thoughts and attempts at solving the puzzles. He ends up mostly on the right track to aid Layton, buts need an extra thought or two be entirely correct.

Other characters who have a presence during the feature are Remi, Layton's assistant, who seems able to dig up obscure and ultimately vital information in solving Layton's mysteries. And then there's the Scotland Yard Inspector Clamp Grosky, who sports a fabulous haircut that most men (let alone detectives) can only dream of. His presence is one of a more comedic value, so you’ll remember him even if he's only on screen for a few minutes at a time.

A female character who plays a moderate part in the film is Jenis Quatlane, a very popular female opera singer with a spectacular voice. She is the person who first contacts Layton, leading him and Luke to be involved in the unfolding story.

Now that the characters have been established, time to move onto the plot. Without trying to give much away, Professor Layton receives a letter containing opera tickets from his former student, now an opera singer, Jenis Quatlane. The letter tells him that one of Jenis's friends who died a year ago has now reappeared as a seven year-old girl, claiming that she has “immortal life”.
To get to the bottom of this puzzling affair, Layton, Luke and Layton’s assistant Remi set off to the Crowne Petone Theatre. Performing there is a new opera composed by pianist Oslo Whistler, based on research by Layton’s mentor Dr Schraeder, telling the legend of the ancient kingdom of Ambrosia, the land of eternal life.

The real motive of the spectators in coming, however, is to acquire eternal life. A mysterious man appears on stage and announces the start of a brain-teaser game, rewarding one person with immortality.


Now the biggest question I had coming into this was: if you're not familiar with the franchise, is this going to affect your enjoyment of the film for the worse? In my honest opinion, not at all! From the very beginning this movie clearly defines its fictional universe and, most importantly, the characters who make it. The character development throughout is detailed enough that you can see the depth and history of the personalities already established in the games. And for those who are familiar with the games, it can only add to their appreciation of the series. Luke Triton in particular takes a very strong journey through the film, and the difference in his maturity from beginning to end is greatly implemented, but still rings true, and doesn't seem bolted on for the sake of it like many other film tie-ins can fall victim to.

The animation in this feature is, quite simply, stunning. It looks brilliant, and tremendous credit has to go to the animators' composition skills, because they have truly done fantastic job blending the CGI and animation together. The whole way through I kept saying to myself: "How good does this film look!" And to compliment the brilliant animation comes the brilliant soundtrack, which add so much to the atmosphere of the story and characters' emotions. For those soundtrack nuts (like Hugo, and myself at least in this context), two soundtracks have been released in Japan: the first contains all the songs from the movie, sung by Jenis; and the second holds the fantastic orchestral score.

All in all, this was a fantastic introduction into the world of Professor Layton. There wasn't a single moment in the film that didn't captivate me, and that's not even mentioning the ingenious puzzle-solving that goes on. Just so that you know, the version screened for us was the original Japanese dub with English subtitles. While this didn’t affect my enjoyment of the film (I'll happily watch anime in Japanese or English), I'm looking forward to the dub, as I’m certain there are lots of moments I wasn’t able to see (or that I simply just missed) through reading the subtitles.


I urge anyone in the London area this coming Sunday (23rd May) to go to the National Film Theatre located on the South Bank (just a short walk from Waterloo tube station) and attend the 3.30pm public screening. It’s definitely not one to miss. But If you’re not able to catch the screening, you’ll have to be patient and wait the release by Manga UK on DVD and Blu-Ray, currently scheduled for September of this year. I know I'll be there!

For information on the screening of this film (including ticket prices) on May 23rd, visit the NFT Website