Monday, 7 November 2011

Review - The Disappearance of Haruhi Suzumiya DVD

It's very easy to get despondent. It's happened to us all, even if we're in the middle of something we know we always wanted to be a part of. Sometimes we held our expectations too high, and sometimes we were never really sure what we wanted in the first place, and the despondency is purely a result of our coalescing feelings. Either way, you can be stuck wondering how you got to this point when all you've tried to do is the right thing.

It's kind of an odd statement to start an anime review with; probably something you're more akin to seeing on a personal blog, but for me it was a really important part of the Suzumiya movie, released today in the UK by Manga Entertainment. And, if you're aware of my ambivalence towards the Haruhi series as I reviewed it however many episodes ago on our podcast, you might think I'm about to give a duff review. I'm actually happy to report that this is the sort of experience I was looking for with earlier Haruhi episodes, and I think this is so far the highest point the franchise has offered to its (somewhat) polarised viewers.

A history: Haruhi Suzumiya is a girl who has the weird and not really specified but hugely immense power to alter the universe, and as such she has several clandestine and intergalactic agencies interested in her, the powers and presence of whom are so great they can't accurately be described, but even the largest demonstrations of their abilities we see suggests whole other awesome planes of existence that we're not party to. The only person who is completely unaware of any of this is Haruhi herself, who can never find out that she has this ability, or else the universe would be put into severe jeopardy. As if it wasn't already- when she sinks into 'melancholy' (hence the name of the first anime series) she creates 'closed spaces' which change reality around her and cause strange and sometimes dangerous events. As if that wasn't enough, she's boisterous, can't keep her erratic personality in check by herself and has mood swings so wide that the oldest of pendulums goes green with envy. The key to solving her melancholies is Kyon, a boy who, despite meeting Haruhi for the first time in High school, has a history far more entwined with hers than you can begin to imagine (and very reluctantly so) - it's worth watching the series for that backstory, to be honest.

It's also based on a series of light novels, by the way.

Before you start having fantasies about high-level action and explosions, this isn't that kind of anime. As you can understand from its literary origins, Haruhi works on a much more internal level, and damn, it really NEEDS to be written down before you can understand the circuitous storytelling, sometimes. It's essentially a story of how a girl comes to understand a world while indulging in a fantasy that she wishes is real, and ultimately she could see for herself, were she not who she is. Despite Haruhi's loudness and occasional delves into the obnoxious, you can't help but feel sorry for her sometimes. But that's in the story as a whole. The odd thing is, Kyon is generally the central character, and despite Haruhi being the catalyst for these major events, The Disappearance of Haruhi Suzumiya doesn't centre around her particularly. And it works very well - it's a very clever movie. Cleverer, admittedly, than I expected.

The plot is as follows: it begins in much the same way as any Haruhi story we've seen before, with the titular character pre-emptively volunteering everyone in to help with preparing for a Christmas charity event. For the first twenty minutes or so everything proceeds as we've seen before, until, as you can guess from the title, Haruhi disappears, and the world changes completely. The colours are muted, greyer, everyone seems to be sick, and the only one who even seems to remember Haruhi even existed is Kyon. Desperate to restore the world to it was, Kyon has to find out what happened, find Haruhi again and convince his friends he's not mad.

If you're a Haruhi fan, the first thing you'll notice is that the animation is markedly better than the series'. It's brilliant. It's also in widescreen and makes full use of this subtle but very artistic change. This is also no typical anime spin-off movie- it's two and a half hours long, so you get a lot of story, and boy, does it flow. Kyon's journey from world to world and his conflicted feelings towards the way the world's changed are really fascinating. I have to admit to his same feelings of cynicism sometimes, although ironically for watching the series rather than, for his part, being IN the series. As he battles with himself to discover whether Haruhi and his friends actually deserve the exposure to her powers or are better off without them in a calmer, peaceful world, we come to some really touching revelations about some of the other characters. I won't say who for fear of spoiling it. But even for seeing how Haruhi herself could have been (or, indeed, wasn't) changed by a world she unwittingly tries to change herself adds a new dimension to an already complex series.

The standout moments for me came within the final third of the movie, for me, when Kyon discovers the origin of the movie's events. It gets incredibly exciting, and we discover some incredibly moving facets of the characters, and an inspiring promise for further developments. It's almost like... the series is more closed, and almost claustrophobic sometimes, like you're not really seeing everything, which is very true- some of the characters remain frustratingly enigmatic for the entirety. This feels like it all gets opened up, both informationally and emotionally. I'd love to talk more about it, but I don't want to spoil anything - seriously, if you're a Haruhi fan, or have even just been on the fence about the series, this is what you want to see. I definitely felt like I'd taken this journey with Kyon too, hence the statement at the beginning of the review. And, in the best of worlds, we discover that we wanted what we had in the first place. To twist a well-known cynical idiom: "The pessimists fear this is the best world we're going to get; the optimists know this is true".

I would probably recommend at least knowing some of the backstory to the series before taking this by the horns. If you know the gist, the rest isn't technically essential, but there are some key moments that might leave you confused if you don't know about some of the story elements established in the series.

As far as the production itself, the animation is excellent - a clear demonstration that traditional art (well, mostly) isn't lost to CGI yet. If only someone could tell Hollywood that. The orchestral score took me completely by surprise, too. It's brilliantly composed, and really evocative. As for the DVD package itself, it comes crammed with making-of extras and footage from the premiere, as well as some trailers, both for this movie and other Manga releases.

This is Haruhi you need to see, definitely. I hope future productions, should there be any, can follow this up with not only a continuation of the story but of its artistry and quality. An intelligent, touching movie well worth your time.

Hugo Jackson

The Disappearance Of Haruhi Suzumiya is available on DVD now and will be released on Blu-Ray in February 2011.
Buy the DVD HERE and pre-order the Blu-Ray HERE.

Friday, 4 November 2011

Crunchyroll to simulcast 'Digimon Xros Wars'

Another UK addition to this seasons simulcast lineup has been announced as Crunchyroll will be streaming Digimon Xros War: The Young Hunters Who Leapt Through Time. This is a sequel to previous Xros Wars series that aired in Japan from the summer of 2010 through to September of this year and is the seventh series in the Digimon franchise.

The plot follows from a year on from where the previous season left of. Team Xros (the lead groups of protagonists) have now formed a basketball team. One of the members of the team finds a place between the human and digital worlds known as DigiQuartz. It is here that Digimon hunters appear. They are trying to capture Digimon that are corrupted thanks to their presence being compromised by the human and digital worlds. A hunter has the potential to make these corrupted Digimon stronger by using them in conjunction with their current Digimon. Team Xros decide to get involved in the hunt and the adventure begins with the main goal being to protect their world from these corrupted Digimon and the other groups of hunters present in DigiQuartz.

Although the series has not yet begun simulcasting on Crunchyroll, the series began airing in October. You can watch the opening credits to sample some of this series below -


Once the series begins on Crunchyroll you can watch each episode HERE.

Tuesday, 1 November 2011

An Introduction To 'Animetal USA'

When it comes to Anime one aspect of a series that cannot be ignored is that of the opening and closing title sequences. They utilise songs from readily established artists and relative unknowns. It could well be that having a song used in an anime series propels an artist to new heights from the wide exposure a series can bring.

But there was a group by the name of Animetal that went down a different route. The group used their power metal influences to create their own take on various anime songs. (Power metal is best described as very fast metal that can be combined with a symphonic instrument such as a keyboard. A popular example of a power metal band is Dragonforce who emanate from the UK.) From the opening theme to Sailor Moon 'Miracle Romance' to the Dragon Ball Z song 'Cha La Head Cha La' they went on to record over ten studio albums between 1996 and 2006. Some of these albums included Mie from the popular group Pink Lady. In fact these albums featuring Mie were released under the name of Animetal Lady, pictured right, making a clear reference to the fact she was on the record. Despite the name change they are still included as part of the discography of Animetal.

The group is primarily known for covering songs but they do have original material too including their song Eternal Future that was in the soundtrack to the Rurouni Kenshin film. In 2006 the group announced an indefinite hiatus. While their songs have caught the eyes of many people, just search Animetal on Youtube and notice how many hits you get, there was an announcement recently which has made many a Animetal fan happy. The creation of Animetal USA.

Animetal USA, pictured left, featuring singer Mike Vescera (OBSESSION/ex-LOUDNESS), bassist Rudy Sarzo (BLUE ÖYSTER CULT, ex-OZZY OSBOURNE, QUIET RIOT, WHITESNAKE, DIO), drummer Scott Travis (JUDAS PRIEST) and guitarist Chris Impellitteri (IMPELLITTERI) follows in the footsteps of original Animetal with their official website stating they will be "combining famous classic anime music with some original metal riffs, solos, vocals, bass and drums, as well as some very cool surprises. In fact, you will definitely hear a few familiar legendary metal riffs from some of your favorite legendary metal bands that gave their blessing, mixed with some new originals. Although this music is based on Anime, it has lots of original screaming vocals, shredding guitar solos, and a mean bad ass rhythm section."

Their first album has been available in Japan for a few weeks and soared to the top of the Amazon Hard Rock Heavy Metal chart and to number two on the Amazon Anime chart within twenty four hours of release! The Album is an anime covers album that includes english language versions of themes from "Space Battleship Yamato," "Hokuto no Ken (Fist of the North Star)," "Evangelion," and more in the power metal style.

Below you can see them perform 'Thesis Of A Cruel Angel' from Neon Genesis Evagelion in Japan recently. Animetal USA's first album is available to import via CD JAPAN now. There is currently no release date for the UK scheduled. But if you're a fan of Anime songs and are looking for something a bit different then perhaps Animetal USA and the predecessor Animetal are worth checking out. It should be noted this video below was shot by a fan of the group at the recent Album launch event in Tokyo.



For those of you who may be unfamilar with the original version of the Evangelion opening song. You can view it below


Chris Impellitteri of Animetal USA recent commented about the group and their intentions saying "I should clarify what ANIMETAL USA are doing musically for those of you that are saying 'WTF??'

"ANIMETAL USA is taking this music very seriously by mixing dark thematic and classic anime songs with our own original metal riffs, screaming vocals, shredding guitar solos, and intense drum and bass section. On a few songs, we even used some short but iconic metal riffs written by some of our own favorite legends of metal in order to further excite the listener. It is definitely interesting to bring all of these forms of metal to the anime world, which is an amazing and intense culture in itself!

"And no, this band is not a comedy band like STEEL PANTHER. We are taking this very seriously and putting in a lot of time and effort with Sony to create a mix of intense metal music, anime, and theatrics! Plus we are working very hard to build an international fan base!

"Currently ANIMETAL USA is reaching a mass audience and exposing a brand new generation to metal that would not have been possible if we would have taken the traditional route. I think we have been exposed to over 25,000,000 people by playing live shows and TV specials during the month of October alone. So we are definitely bringing metal to a very wide audience that may not have embraced it otherwise.

"Lastly, since we had to create so much original music for ANIMETAL, we are considering releasing an extension of this band called DEATH STAR which musically will be 100% original. Either way, there will probably be two forms of music released by the four of us in the future! ANIMETAL and DEATH STAR!"

For more information on Animetal USA you can visit their website at AnimetalUSA.com. The site includes samples of all the tracks from their album!

To conclude here is a quick Japanese TV spot promoting their album -